While painting, my perpetual aim is to contrast the image, to look for
the areas of rupture, to make it work despite the odds, as I
deliberately create disruptive areas. Challenge of the abstract and of
the purity of each new composition, reformulating another visual
possibility in the compound of the canvas.
My outlook on painting could be seen as formal, the content in itself is
about the image and what it produces visually, like the chromatic and
shape distortion effect it can have on one's perception. There is no
real intent to guide the spectator through a special reading, although
the subject of the line drawings makes it easier. But in the making, I
experience painting as a visual game, an exploratory field where as
with sound, I can offer a visual possibility where one experiments a new
sense of space, through the uses of shapes, lines and colors.